![]() Far be it from me to demand 100% truth in advertising, but if something is called Steampunk, then dammit I want more than a passing mention of a blimp! ![]() ![]() That said, though, as someone who's actively trying to read more "real" Steampunk, the tendency of marketers to take advantage of this nascent genre's popularity by slapping gears, antiqued fonts, and misleading copy on books that have only a tenuous relationship to Steampunk in order to trick me into buying is really pissing me off. You can't really lock it down, but it is certainly a thing all its own. So while it hits the Victorian time period more or less, it's far more of a Western (which, to be fair, is another area Steampunk loves to co-opt) than a story of Victorian adventure.ĭefining what is and is not "Steampunk" can feel a bit like trying to describe the smell of motor oil. Same with Cherie Priest's fabulous Boneshaker, another quintessential Steampunk book that takes place in America West during the Civil War. The gentleman (or gentlewoman) explorer/scientist is as much a Steampunk trope as the gears themselves.īut one of the most celebrated Steampunk novels, Scott Westerfeld's Leviathan (which, for the record, has the best interior decoration of any book EVER), takes place during World War I, decidedly after the Victorian era. In fact, considering how popular and well done Mieville's novels are, they should be cornerstones of steampunk literature, but they're not, which leads me to believe that Steampunk is more than technological.Īnother common element in Steampunk besides the actual steam is a Victorian sensibility. I agree with this sentiment 100%, but if dirigibles do not Steampunk make, what does? Because if we're defining Steampunk on a strictly technological basis, then any of China Mieville's Bas-Lag novels (King Rat, Perdido Street Station, etc) would count.
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